"7 Ways of Making Love (after Bernadette Mayer’s Writing Experiments)," The Arts Fuse, September 2023.

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"And in Anticipation," "Orion A," "Anniversary," and "Greenville at 10:17PM," Boog City, March 2021.

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"In the Garden of the Gods," The Worcester Review, vol. 41, December 2020.

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Northeastern Modern Language Association

• Panel Chair and Presenter, "Landscape Painting Through Car Windshields: Changes in Perceptions of Geography Via Roadtripping," Lands of Milk and Honey: Languages of Surplus (and Shortage) in the Natural World, 2024, Boston, MA
   

• Panel Chair, "Natural Spaces and Managed Wilderness: Mediation in National and State Parks,” 2023, Niagara Falls, NY
   

• Presenter, “A Revered, Disposable Body: Care and Violence in Horror Media,”  Embodying Horror Panel, 2022, Baltimore, MD
   

• Panel Co-chair, “Examining Contemporary Representations of Armed Conflict,” 2021, Remote
   

• Presenter, “Building a House for the Wendy Bird: Intersections of Domesticity and Play in Children’s Literature,” Sharing Spaces in Children’s and Young Adult Literature, 2020, Boston, MA

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Popular Culture Association/American Culture Association

• “'The Black Hills, the Badlands, the Calloused East': Gothic Aesthetics, American Landscapes, and American Culture," 2024, Chicago, IL
   

• "'The Land Will Never Love Us Back': Nature, the Great Plains, and Southwestern Gothic in Taylor Sheridan's 1883," 2023, San Antonio, TX
   

• "Pursuits of Perfection: Body Aesthetics and Masculine Appearance in the Marvel Cinematic Universe," 2022, Remote
   

• "Assumptions of Availability: Androids and Female Personhood in Science Fiction Media," 2021, Remote
   

• "'I Don’t Have a Birth Certificate, So I Guess I Don’t Exist’: Posthumanism, Frankenstein’s Monster, Superboy, and the Uncanniness of Created People,” 2019, Washington, DC
   

• "Covered in Blood: Girlhood Trauma and the Horror Heroine,” 2018, Indianapolis, IN

“'Directed into a Bed of Trenches': The Shift in the Language of Elegy Demonstrated by the War Poetry of Wilfred Owen," The Graduate Review, vol. 5, Bridgewater State University, 2020

 

“'You Cannot Want Wrong Things Any More, Now That You Have Died’: Problems of Purity, Temptation, and Redemption in The Chronicles of Narnia,” The Graduate Review, vol. 4, Bridgewater State University, 2019

 

"From Bikini Atoll," "Andromeda," and "Manipulations of Stereotypes and Horror Clichés to Criticize Post-Racial White Liberalism in Jordan Peele’s Get Out," The Graduate Review, vol. 3, Bridgewater State University, 2018